Following our very special IMAX screening of Oppenheimer, Collider's Steve Weintraub hosted a Q&A with cinematographer Hoyte van Hoytema and composer Ludwig Göransson to talk about the behindthescenes of one of this year's biggest blockbusters. It's little wonder why the auteur has worked with them on multiple occasions – both are masters at their crafts.

To celebrate Oppenheimer, Collider was thrilled to give readers an opportunity to see Nolan's grandiose biopic in the format that was intended one more time. As well as seeing the performances of the stellar cast, including Robert Downey Jr., Florence Pugh, and Emily Blunt, led by Cillian Murphy, the audience got to experience Göransson's score and Hoytema's camera work that brought the turmoil of the father of the atom bomb back to life.

Check out the video above or the transcript below to find out what the most difficult elements of Oppenheimer were to capture on film, how Göransson worked with Nolan to create the movie's sound world, and what it's actually like to work alongside a director like Nolan. The pair also discuss the real reason Nolan doesn't use CGI (when he can help it), building sets in one day, how many cameras he uses on set, and tons more.

#LudwigGoransson #HoytevanHoytema #Oppenheimer

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