Link to Mark Barton's Paper https://cherryaudio.com/news/whymode...
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ABOUT THIS VIDEO

I'm delighted to invite super inventor, musician and all around warmhearted interesting person Mark Barton to the channel for a sincere discussion about his white paper titled "Why Modern Digital Synthesis Is More Analog Than Analog". While comparing Analog vs Digital Instruments, we'll cover topics such as signaltonoise differences, digital filtering, the psychedelic digital experience, if there are expressive digital instruments, acoustic vs electronic instruments, the advantages and disadvantages of endless possibilities vs embracing limitations and finally, the pro's and con's of unpredictability vs repeatability. We'll also discuss Mark's latest inventions at Cherry Audio and we'll tackle the question if selling all your electronic analog instruments makes sense in 2024. And please let us know if you're a buyer or seller after hearing from Mark.
Mark Barton is a brilliant audio engineer, with a list of accomplishments a mile long. In the 1970s, Mark designed the Pollard Industries Syndrum, which defined the sound of electronic drums for the disco generation. He's also done groundbreaking work in speech synthesis, including writing the MacInTalk texttospeech system for the first Apple Macintosh computer, and designed the innovative Zeroscillator hardware synthesizer module for Cyndustries. For the past five years, Mark has been brining his talents to Cherry Audio with modules and bundles for Voltage Modular under the MRB Labs and Cherry Audio/MRB brands, and has contributed to the wildly popular instruments Miniverse, Novachord + Solovox, GX80, Lowdown, Eight Voice, Rackmode Signal Processors, and, most recently, Synthesizer Expander Module and Pro Soloist

00:00 Intro (w/music)
00:42 Summary of Paper
01:18 Signal to Noise
02:23 Analog Electronics
02;49 Digital Reconstruction Filter
03:08 The Listener Doesn't Care
03:41 Are There Expressive Digital Instruments?
05:25 I Sold My 1969 Moog IIIc Modular Synthesizer to Anthony
06:12 The Digital Experience
07:44 CTA
07:54 Why Mark Sold All His Analog Instruments
10:22 Mark's History Designing Great Analog & Digital Instruments
11:13 Is Anyone Building Great Expressive Digital Instruments?
17:01 Music Matters the Most
17:51 Would You Want a Digital ARP 2600 if It Sounded the Same as Analog?
20:25 Acoustic VS Electronic Instruments Was The Original Argument
21:05 Endless Possibilities OR Embracing Limitations?
23:06 Embracing Analog Unpredictability
23:45 About Mark's Latest Inventions
24:44 Conclusion
26:17 Logo (music)

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ABOUT ANTHONY

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, cofounded Levels Audio Post (LA's premiere post production facility) and performed and arranged on bigboxoffice films and influential hit records such as Michael Jackson's Thriller .

His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wideranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

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