Jennifer Aniston’s interior designer Stephen Shadley talks with Architectural Digest EditorinChief Amy Astley about the 'zen' style and designs of the new home Aniston shares with husband Justin Theroux.

Jennifer Aniston takes AD inside her dreamy California home high above Los Angeles, Jennifer Aniston crafts a scene of pure domestic bliss with husband Justin Theroux, a spectacular midcentury house, and a trio of very happy dogs.

Aniston’s latest residential project is the reimagining of a Bel Air house that was designed by architect A. Quincy Jones and completed in 1965.

The actress acquired the property in 2011, after selling her beloved Hal Levitt–designed home in L.A.’s Trousdale Estates enclave (AD, March 2010) and attempting to relocate to Manhattan—a move ultimately thwarted by the rabid paparazzi that swarmed outside her Greenwich Village apartment building. When she bought the Bel Air property, it had recently emerged from a renovation by architect Frederick Fisher, which, despite its sympathetic embrace of Jones’s vision, skewed a bit too cool and minimal for Aniston’s taste.

Aniston enlisted the aid of AD100 interior designer Stephen Shadley, with whom she had collaborated on her previous L.A. home, to perform a similar alchemy in Bel Air—namely, to preserve the modernist ethos of the original scheme while softening some of its sharp lines and outfitting the interior with tactile, organic finishes and furnishings.

Aniston seconds the notion, pointing to the vintage Jean Royère Polar Bear sofa, Jacques Adnet armchairs, and Mies van der Rohe daybed arranged in the living room. Aniston credits the home’s deftly layered interiors to a team effort, with important contributions by Shadley and L.A. designers Kathleen and Tommy Clements and Jane Hallworth. Theroux weighed in as well.

Aniston describes the centuriesspanning decor as “Old World meets New World,” a polyglot mix of handpainted wallpaper and midcentury furniture, silk rugs and polished concrete, antique Japanese screens and Abstract Expressionist paintings. Yet for all the pedigreed pieces on display—artworks by Adolph Gottlieb, Robert Motherwell, and Glenn Ligon; furnishings by Vladimir Kagan, Edward Wormley, and Arturo Pani—the real triumph rests in the harmony of the various decorative compositions within Shadley’s reconceived interior architecture.

Garden designer Marcello Villano and landscape architect Anne Attinger reorganized the alfresco spaces as a series of interconnected outdoor rooms, terraces, and Asianinspired pocket gardens.

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