How did Patrick Bartley get such a nice Old School Jazz sound in his imorvisation over "After You've Gone" live with Emmet Cohen's trio? Here is a case analysis on how you can sound instantly old school too! That old swing music has quite a few distinguishing elements worth pointing out, and Patrick Bartley poingt many of those out in his solo.
0:00 intro
0:49 Arpeggio’s and triads
1:44 Triad approach notes
2:20 playing around the major 3rd
2:46 recurring guide tone lines
3:43 Late editing realization
4:24 The Hip Stuff
5:00 Recurring Rhythmic Frameworks
6:01 Fast vibrato
6:31 outro
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