This video is for Premiere Pro How to Color Correct and Colour Grade with NO Conversion LUTS or PLUGINGs. I also made this workflow for Final cut pro and DaVinci Resolve, you can find those here:
►Final Cut Pro:    • Color Correct LOG Like a Pro in Final...  
►DaVinci Resolve:    • Color Correct LOG Like a Pro in DaVin...  

Color correcting Canon C200 and EOS R CLog and Sony A7 SLog footage is actually much easier than you think. And with a tiny bit of knowledge you will be able to go from this… to this in about 1 min. Today I will show you how without any special plugins or LUTs.
This technique I am using in this video will work in any editor that has color correction controls

In this video we will talk about:
• How to set the exposure and contrast properly for Log Footage
• how to easily white balance with and without a color chart using the waveform.
• How to correct skin tone issues using the vector scope.
• How to check to make sure the skin tone is set to between 40 and 70 IRE and exposed properly.
• How to save the preset to use on all your footage.
• And how you will never have to ask for help again once you practice these steps

Full disclosure, I am not a colorist, for most of my client work I will gladly hire pros to be as precise as possible to grade the footage. However for smaller projects and my own personal work, I learned the steps required to quickly get from Log footage to a base grade without using LUTs or expensive plugins. I am still learning and tweaking as I go, but that's the nature of the creative field, it's always changing and improving.

So this isn't the be all and end all to color correcting CLog (or any log footage for that matter), there are many ways to do the same thing. But it's a method I have found works really well to rough in a base grade and add some personality to it after.

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00:00 Intro
01:28 Why Shoot in CLog
03:53 Color Correct In Premiere
04:20 Use the Waveform
09:27 Fix Skin Tones
18:18 Conclusion